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Spring 2010
Focus on collaborations
Animated Front Cover - Spring 2010Journalism - the actual business of writing - can be lonely. But, inveterate and solitary hack though I am, these days my brain is swarming with thoughts and visions of loads of bodies coming together to dance.

Animated is, but only in part, to blame. I didn't start out deliberately assembling articles about group dances for this issue, and yet that's turned out to be its focus. The stories range from Helen Cundy's musings on City Maquette, a collaboration between France and Woking sprinkled with cross-cultural challenges, to Retina's report on site-specific pieces staged throughout Belgium and beyond. Cecilia Macfarlane shares her experiences - and good fortune - working on community-based events in Japan, initially because Rosemary Lee couldn't make it despite having laid the groundwork. Lee is a dab hand at large-scale dance performances. A trio of authors looks at her latest human... Read more

In this issue
Editor's critical faculties
Guest editor Donald Hutera gets to grips with multifarious manifestations of group dance
Donald Hutera. Photo: Rob Greig courtesy of Time Out Magazine www.timeout.com/dance
Letter
Kate Scanlan responds to Sunanda Biswas's article on women in Hip Hop, Animated Winter 2010
Breakin' Convention freestyle circles. Photo: Paul Hampartsoumain.
Letter
Susie Kelly responds to Rachel Elliott's article on English folk dance, Animated Winter 2010
Weekend dance for  experienced Square dancers, October 2009. Photo: Susie Kelly.
The focus: community collaborations
Model city
Helen Cundy describes the challenges and delights of managing an international collaboration between French artists and the Woking community
Participants in City Maquette. Choreographer: Mathilde Monnier, assisted by Florian Bilbao & Anne Lopez. Photo: Andrew Spiers.
RAUW dance
Retina's producer, Natalie Gordon, and its artistic director, Filip Van Huffel, find that site-specific performances bring rewards and responsibilities
Retina Dance Company's RAUW, site specific project in ccbe, Antwerp.
Thinking big
Big Dance's Jacqueline Rose, and FCD's Chris Stenton tell us about all the exciting developments with Big Dance
The Big Dance Chair Dance at the Southbank Centre. Delivered by Entelechy Arts, East London Dance as part of Capital Age Festival 2008. Photo: Hayley Madden.
Uncommon perspectives
Rosemary Lee's Common Dance is experienced from three contrasting viewpoints
Production and rehearsal, Common Dance. Photo: Simon Weir. www.simonweir.com
Dance and disabled people
Happy 21st, Corali!
Georgina Cockburn marks the coming of age of a company - and a sector
Corali' Coming of Age day at Tate Modern. Photo: Dave Lewis.
Ignition on
Louise Portlock, Inclusion Manager at Gloucestershire Dance, is fired up about widening professional opportunities within the dance and disability sector
Louise Katerega (left) and participants in Ignite the profession. Photo: James Rowbotham.
Health
The best-laid plans
Free-lance arts consultant Jo Buffery shares her tips for dance projects in health settings
Breathing Space children's progamme: Moving away, coming together by Kirstie Richardson. Photo:  Desmond Byrne.
International
Another dancing nation
Cecilia Macfarlane ventures into dance in the community in Japan
Open Rooms performance, Beppu. Photo: Takashi Kubo.
Professional development
Wintry reflection
Dance artist, Gill Clarke, waxes poetic about creative away time
National College for Community Dance, Advanced Course held in Wales January 2010. Photo: Nina Atkinson.
Stepping out east
Jih-Wen Yeh, artistic director of Step Out Arts, explains what motivated the creation of a new showcase for British East Asian artists
Annie Pui Ling Lok in Half Truths and Allegories. Photo: Ludovic Des Cognets.
Raising standards
FCD's Lisa Craddock outlines a new strategy for professional standards
Lisa Craddock.
Artist Bank: Not just kids' stuff
Rachel Attfield and Katherine Duhigg ask how can a creative project with primary school children impact on artists' professional practice?
Artist Bank: Charles Dickens Primary Photographer: Pari Naderi.